The Old Is New Again

Thomas Dyja: Author and Editor
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By Donald G. Evans
Thomas Dyja was a recent Columbia University graduate in 1984 when the fateful ground ball squirmed under Leon Durham’s mitt, rolled into right field, and set in motion a disastrous collapse that ended with the San Diego Padres leading a World Series parade. A literary upstart from the North Side, Tom sat down to write an homage to that time.
“I was a 21-year-old English major set loose on the world,” he says. “I wrote it on an electric typewriter with no letter s.”
An odd confluence of influences inspired Tom’s approach and style to the piece: T.S. Eliot, whose The Waste Land his poem parodies, and Bleacher Bums, which was enjoying huge popularity about that time. The wit, intense historical detail and density of plot that would later become Tom’s trademark in the novels Play for a Kingdom (1997), Meet John Trow (2002) and The Moon in Our Hands (2004) were all there, but his reputation was not yet made.
The elegy went unpublished.
It wasn’t until nearly 25 years later that Tom placed The Wave Land on bardball.com, and the piece subsequently found a second home in Cubbie Blues. Tom became aware of bardball in part because he admired co-founder James Finn Garner’s work. “I thought, ‘What the hell, why write a new poem about the Cubs when you got one 20 years old that still works,’ ” Tom says.